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Born out of the pandemic and due for release on October 15, The St Buryan Sessions will be the sixth solo album by award-winning multi-instrumentalist and singer/songwriter Sarah McQuaid, and is her most powerful and emotive offering yet.

A six-week, 21-date UK tour marks the album’s launch, and Sarah’s 2022 tour plans include the UK, Netherlands, Germany, Belgium, Denmark, Ireland and USA.

“I can’t wait to get back out on the road again,” Sarah enthuses. “Obviously I’m nervous about COVID, but I desperately miss performing to live audiences. The few gigs that I’ve managed to do this summer have been so, so lovely – every time I do a gig, it just brings home how much I’ve missed it.”

The St Buryan Sessions had its genesis in the spring of 2020, when Sarah’s gigs and tours were cancelled due to COVID-19. Thanks to a successful crowdfunding campaign, she was able to finance a live solo recording (sans audience) in the lovely medieval church of St Buryan, not far from her home in rural West Cornwall.

Conceived as a concert set and including such fan favourites as “In Derby Cathedral”, “The Sun Goes On Rising” and “Yellowstone”, the album is a journey not only through a wide range of instrumentation and styles, but also through the spectrum of emotions that Sarah evokes in her performance and invokes in the listener.

Sensitively captured by her longtime sound engineer and manager, Martin Stansbury, with the aid of ambient microphones placed throughout the church, the sound of Sarah’s voice and music soars through the stunning acoustic space as she moves between acoustic guitar, piano, electric guitar and floor tom drum, performing songs that span her 24-year career – from “Charlie’s Gone Home”, originally recorded on her 1997 debut album When Two Lovers Meet, to electric guitar based pieces from her most recent studio album If We Dig Any Deeper It Could Get Dangerous.

Two previously unrecorded covers feature on the album: the classic jazz standard “Autumn Leaves”, on which she demonstrates the full dynamic range of her lush, distinctive voice, and a cover of “Rabbit Hills”, written by her dear friend (and past producer), the late Michael Chapman.

This second piece was commissioned by Michael’s wife Andru as a gift for his 80th birthday and sees Sarah at the beautiful grand piano that resides in the church, her compelling, heartfelt delivery revealing the depth of her immersion in the rich imagery of Chapman’s evocative lyrics.

“I was absolutely devastated by the news that Michael has left this world,” says Sarah. “He was a real musical mentor to me. I wouldn’t have ever started playing electric guitar if he hadn’t handed me his Ibanez Artist and said ‘Play this.’ My heart goes out to Andru – she and Michael have both been such good friends to me. I can’t express how sad it makes me to know that I won’t see him again.”

The recording was filmed by Cornish filmmaker and director Mawgan Lewis of Purple Knif with the aid of Eden Sessions veteran camera operator John Crooks. The fruits of their work can be seen on Sarah’s YouTube channel – https://youtube.com/sarahmcquaid — where Lewis’ 9-minute documentary “The Making Of The St Buryan Sessions”, featuring interviews and song snippets, can also be viewed, along with a 59-second promo video about the album and tour.

The St Buryan Sessions is now available to pre-order via https://sarahmcquaid.bandcamp.comon CD and limited-edition blue vinyl double LP, together with T-shirts, tea towels, tote bags, ultra-limited-edition test pressings, and the full concert film on a 16GB engraved wooden USB stick, all bearing Sarah’s original artwork.

See https://sarahmcquaid.com/tour for details of all shows including addresses, start times etc.

High-resolution photos and album cover artwork are available for download from https://sarahmcquaid.com/media-kit – also see https://sarahmcquaid.com/about for full biog. Download links for the album (including a 12-page PDF booklet with credits and other information) and hard copy CDs are available on request.

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